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The creature leapt and grabbed the throat of the hand that fed it - then the stars, what's new, any specials? The radio said there were, but make your way down there, make your way down there son, you'll find they're all sold out, all gone to the rich old lady on a pension, blue knit hat, they agreed that she was the best parishioner. Don't smoke they forewarned, the dust and grey will clog and stuck, mucus doesn't leave - you'll never get out of it alive. When you heave my sweet, when it scrapes and scars your inside then it will be, then you will remember that all is one day forgotten - blackboards wiped spotless, Robin Hood, dusters cleaned on the concrete with the air choking spluttering wishing for the heart to forgive - simple in theory, practically impossible mercy dies as soon as you glance away keep CONCENTRATING man, smile to love, it should be breathing but nature - will never be. William Tell could've lost a son, how do you feel? Fiction, fantasy - emotions nothing like, like smiling, dying, fading it's gone Mommy where's it gone? And she smiles, kisses his forehead because it's okay even when it's not and that's why my dog's head slides under my arm, his eyes get darker and his eyebrows a whiter shade of pale than you could ever imagine Maestro, you with your limitless imagination and thoughts and dreams. That's when the whistle blows, the train stops but give it a hundred metres leeway buddy, you never know


Again, one of the first few monologues I wrote. I find the forewarning about smoking very amusing. The monologue itself is extremely generic, incorporating a bunch of words, images and ideas I had one lunchtime in the economics room with Alex H and co.